Gabriella GaspariniWHAT IS THE DIGITAL SUBLIME: THE AWE & TERROR OF NEW MEDIA LANDSCAPESThis article originally appeared on Agora Digital ArtNov 27, 2020Nov 27, 2020
Gabriella GaspariniTraces of the Body — Marcia Michael’s Photography Hundred HeroinesWhether immortalised on canvas, shot through the glossy lens of magazines or filmed amidst the transient aura of fashion advertising, the…Oct 17, 2020Oct 17, 2020
Gabriella GaspariniCOVID-19 THE DESTRUCTOR… of the toxic 9–5 work ethic, mad rush hour, obsolete office space &…Covid-19 can change cities, just as previous pandemics have — if not more. In fact, unlike other pandemics, the stark difference is that…Jun 25, 2020Jun 25, 2020
Gabriella GaspariniPolitics, politics on the wall, who is the most ideology-less of them all?How peculiar for the word politics to be sidelined, bastardised to its referred other — reduced to its mere appearance. Politics, in fact…Sep 2, 2019Sep 2, 2019
Gabriella GaspariniMeet Fontana: the multi-breasted performer who is challenging the notions of femininity and…Noemi Veberic Levovnik’s ‘Fontana’ and I meet during her performance at the Pornceptual party in Berlin, where I feed off her presence and…Aug 24, 2019Aug 24, 2019
Gabriella GaspariniWe Fuck Together, We Fight Together.The Orgy Monologue: collective voices of sexuality, embodied as one.Aug 24, 2019Aug 24, 2019
Gabriella GaspariniIngrid Kraftchenko: a performative ode to the body in charge.The rhetoric of the objectified body of the woman is one that humanity has been diligently dragging throughout history as a heavy weight…Aug 24, 2019Aug 24, 2019
Gabriella GaspariniHijack, Deconstruct and RebuildHow three creatives turned an office building into a home.Aug 24, 2019Aug 24, 2019
Gabriella GaspariniMeet Ines Alpha, the make-up artist whose transformations seek to explore the most surreal areas…Is the glass half empty or half full, asked the metaphysical-wannabe in search for a long-winded explanation of who we were. Right…Aug 24, 2019Aug 24, 2019
